In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 69, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
Crocodile catched little elephant’s trunk when he was drinking a water! See what happened after
With his mother’s help, the newborn elephant made a fortuitous escape when a crocodile tried to bite off his trunk.
A crocodile emerged from the water and snatched the trunk of a baby elephant that was swimming around the deep end of a drinking hole in the African forest.
Trunking and snorting, the herd mates stared in amazement as they battled to protect the defenseless little calf from the threat.
The young elephant overwhelmed the scared crocodile and tumbled back to avoid the danger, forcing it back into the murky water.
A baby elephant drinks at a watering hole in the African bush while a crocodile stands stiffly in the water a few feet away. The crocodile jumps out of the water and snaps its jaws shut around the calf’s trunk in an instant.
Francois Borman’s camera was used to take the amazing pictures by Mana Pools in Zimbabwe’s Zambezi Valley.”This is the last thing I imagined seeing! I was out in the jungle for several hours hoping for some activity,” he exclaimed.
I usually have high standards when I go out with my camera, but this situation is just amazing to witness.
“A local crocodile saw the herd of small elephants coming down to drink and spent some time measuring them up, chasing the baby calf playing in the shallows,” the observer reported.
“It’s clear the baby elephant was excited about the water because he sprang into the deep, murky water and began to roll around, screaming.”
The amazing photos were taken by talented photographer and farmer Francois Borman in Zimbabwe, close to the Mana Pools in the Zambezi Valley.
The rest of the herd gathered around in wonder, snorting and trumpeting as they struggled to keep the helpless baby elephant safe.
The baby elephant throws off the crocodile and stumbles backward with a little help from his mother.
“It didn’t have to worry about the outside world, and it definitely didn’t consider the dangers that might be present in the murky waters,” he went on.
The tiny calf knelt down to drink from its lips because it was unsure of how to use its trunk to do so. Eventually, it got up and tried its hand at using its trunk to reach the water.
“It was a mess when the crocodile jumped onto the baby elephant’s trunk and grabbed it.”With a choking squeal, the calf charged the crocodile, fighting for its life.
“Time stopped still as the calf resisted and with incredible tenacity, almost immediately pulled the reptile out of the water.”After more elephants raced to the scene to assist, the crocodile eventually released the calf.
“When I saw my pictures, I was overjoyed because I knew they were special.”
“Snaps like this are the payoff—wildlife photographers spend a lot of time waiting, hoping for that specific sight.”
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