Barbra Streisand and James Brolin are celebrating their 25th wedding anniversary this year. The couple opened up about their journey together and reflected on what it means to find love later in life.
They recently revealed a surprising secret about their relationship that had been kept secret for years. Read on to find out what they shared!
Their love story, like many others, began with a blind date. Barbra was dating James, but had a different idea of what he would look like. She expected a man with a full head of hair and a beard and was surprised to find Brolin bald.
True to her easy-going nature, Streisand didn’t hold back and jokingly pointed out that his hair was a bit messy. Instead of being offended, Brolin immediately felt a connection and realized she was someone special. While it took Streisand a few more outings to fully accept her feelings, the two soon fell in love and married in 1998.
This was not her first marriage; Streisand was previously married to Elliot Gould from 1961 to 1973, with whom she has a son, Jason. Brolin has also had two previous marriages, first to casting agent Jane Agee for 20 years and then to Jane Smithers for almost a decade. From these relationships he has three children: Josh, Jess and Molly, and four grandchildren: Eden, Trevor, Westlyn and Chapel.
Brolin often expresses his deep affection for Streisand, once saying: “Every night is a new adventure. Sleeping is a waste of time. I can’t wait to see her again in the morning”.
In a recent interview with Gayle King on CBS Mornings, the couple celebrated their milestone anniversary by sharing a surprising revelation: Brolin was celibate for three years before meeting Streisand.
“I was literally abstinent for three years and I asked myself: ‘Who needs that?’” he confessed, which provoked disbelief from King. Streisand playfully admonished him, shouting: “You can’t say that!”
When asked about his long period without intimacy, Brolin explained: “I had no interest in getting involved in a crappy situation”. Reflecting on their connection, he remarked: “After three years, that must have been one hell of a night?” to which he replied: “Wild!”
His reluctance stemmed from his previous marriages, as he did not want to enter into another unfulfilling relationship. However, a friend encouraged him to meet Barbra and the rest is history. It took some persuasion, but after asking her three times, Streisand finally agreed to marry him.
It’s surprising to learn that Brolin was celibate for such a long time! Their story is heartwarming and shows how they found each other despite all the odds. What do you think about their pairing? Share it in the comments! Feel free to pass this on to others to know their thoughts!
King Charles’ First Official Portrait Deemed Inappropriate
In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.
The unveiling
Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.
This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.
There was an ongoing debate in the comments.
The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”
One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”
Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.
The artist
Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.
His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”
The meaning of the portrait.
A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”
The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.
Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”
Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.
The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.
Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.
Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagram, jonathanyeo / Instagram
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