Paris Hilton has had enough people online telling her to take her son to a doctor because of how his head looks. After weeks of heated debate among fans, she finally spoke about it candidly and addressed the haters directly.People were concerned about Phoenix’s health.
Paris Hilton’s journey into motherhood began on a memorable day in January of this year when she welcomed her precious son, Phoenix, into the world. The news of her baby’s birth was met with an outpouring of love and well-wishes from fans and friends worldwide.
Throughout these six months, she has shared precious moments of their mother-son bond, providing fans with glimpses of their beautiful connection. Yet, alongside the happiness, concerns have arisen among some of Paris Hilton’s devoted followers.
Paris Hilton’s heartfelt post about her baby boy, Phoenix, elicited a mixed response in the comments. While many expressed their love and admiration for the adorable child, some couldn’t help but raise concerns about his well-being, urging her to “bring him to the doctor!”
One comment said, “You need to give your baby tummy time. He is already showing signs of a flat head.” Another comment even requested Hilton: “Phoenix is extremely cute, but please consider having him check.”
She got tired of the criticism and responded.
Paris Hilton has defended her baby boy on social media after people commented about his head size. Responding to online comments, she expressed her disappointment with the negativity and stated that her child is perfectly healthy. “There are some sick people in this world. My angel is perfectly healthy,” she wrote on TikTok. “And yes, of course, he has been to a doctor, he just has a large brain.”
Talking about working moms, supermodel Naomi Campbell has made headlines as she recently welcomed her second baby at the age of 53. The news has captured the hearts of fans worldwide, celebrating the joyous moment in her life.
In the 1980s, this beautiful woman was on her way to becoming a Hollywood star
In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 69, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
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