Fans of *Dancing with the Stars* are upset after one of the dancers performed a mediocre cha cha while wearing a sparkly bracelet on her right ankle. What seemed like a simple accessory actually had a deeper meaning.
Despite the backlash, the dancer stood her ground, telling the quiet audience, “I’ve reinvented myself many times” and “this time I’m going to be a ballroom dancer.”
Keep reading to find out who this controversial performer is on the popular TV show!
Ezra Sosa faced a big challenge in season 33 of *Dancing with the Stars*, his first season as a professional dancer.
His partner claimed to have dance experience, but Ezra had his doubts. When asked about her background, he said, “She did ballet and modern,” then laughed and added, “I don’t think she did…”
Like many others, Sosa doesn’t fully trust what his partner says.
His partner, known as a “fake heiress,” was convicted of grand larceny after pretending to be a wealthy German heiress. She scammed many socialites and even some banks and hotels while living in New York.
Sosa’s partner is Anna Sorokin, who is also known as Anna Delvey. She was born in Russia and became famous after her crimes inspired the Netflix show *Inventing Anna*.
Delvey gained attention for defrauding people, banks, and hotels. The Netflix series features her story, with actress Julia Garner playing her role.
She was convicted of grand larceny multiple times in 2019 and was released from prison in 2021 for good behavior. However, after breaking the rules of her Visa, she was taken into custody by U.S. Immigration and Customs Enforcement (ICE) and placed under home confinement.
Now considered a flight risk, she wears an ankle monitor while she fights to stay in the U.S. and avoid being deported back to Germany, where she is a citizen.
On September 17, Anna caused a lot of controversy with her appearance on the first episode of the new season of *Dancing with the Stars*.
After Delvey was introduced as a “fashionista and entrepreneur,” she and Sosa took to the dance floor to perform a cha-cha to Sabrina Carpenter’s song “Espresso.”
They wore colorful outfits in shades of blue, purple, pink, and yellow. Delvey added a sparkly ankle monitor to her look.
During their performance, Delvey explained her unusual accessory, saying, “I overstayed my visa because I was in jail, so it’s kind of hard to leave.” She laughed and added, “I did serve my time… I’ve reinvented myself many times, and this time I’m going to be a ballroom dancer.”
The judges praised Anna Delvey’s efforts and expressed their surprise at her performance.
Derek Hough said, “I’m kind of lost for words. You actually have the ability to be a really beautiful dancer. Truly, you really do… I was surprised.”
Bruno Tonioli added a more playful touch, saying, “Reinventing Anna … yet again! And it could be working!”
Carrie Ann Inaba addressed the unusual silence in the studio, saying, “When you came out on the dance floor, there was a shift in the energy in this room. I imagine this is scary for you, and I’m not for or against anything you’ve done. But this is about your dancing here.”
However, fans were less kind. Many criticized her “robotic” moves and “miserable face,” while others were upset about the ankle monitor.
“Ankle monitors are not iconic. She should not be on this show,” wrote one user on DWTS’s Instagram page. Another added, “Felons should not be given any sort of spotlight.”
One commenter took issue with her title, saying, “Ooof. ‘Fashionista and entrepreneur?’ No… criminal.” On the DWTS Facebook page, another fan expressed, “Let’s glamorize an ankle bracelet. I’m disgusted.”
Miss Italy Pageant Holds Ground Against Woke Pressure, Remains “Only Women Since Birth”
Like Miss America, Miss Italy has made the audacious decision to honor tradition by announcing that only biological women would be permitted to vie for the esteemed title. The event’s creator, Patrizia Mirigliani, resolutely declared that Miss Italy will preserve the essence of authentic womanhood in the competition and refuse to jump on the flashy bandwagon of trans activism.
Recent Miss Netherlands pageant events, in which a biological male winner emerged victorious, have provoked intense discussions and outcries of transphobia from numerous quarters. Miss Italy, however, is unwavering in its determination to uphold the competition’s integrity and honor the natural beauty of women who identify as female.
Mirigliani gave a clear response to the issue when she said, “I think it’s a bit ridiculous that beauty contests have been trying to make the news lately.” However, Miss Italy will not sacrifice its morals in the name of political correctness. Participation is restricted to biological women; individuals who do not identify as such are not permitted.
Miss Italy has welcomed applicants with tattoos, piercings, and hair weaves as a way to accommodate changing social norms throughout the years. But the pageant crosses the line when it comes to redefining what it means to be a woman.
“Since its inception, our competition has upheld that participants must be women from birth,” Mirigliani added. This choice is a reflection of our awareness that beauty may change and that we must stick to our essential principles. We will not compromise on what it means to be a woman, but we will celebrate individuality and expression.
Rikkie Valerie Kolle, the transgender winner of the Miss Netherlands contest, talked about her experience and path toward empowerment. Although Miss Italy’s victory demonstrates her personal development, her unwavering choice pays homage to the pageant’s heritage of showcasing female beauty and its history.
Their conviction has not wavered in the face of the controversy regarding Miss Italy’s position. They remain steadfast in the face of opposition and criticism, refusing to yield to contemporary narratives that seek to conflate the distinctions between the biological sexes.
Conservatives everywhere are praising Miss Italy for her choice to honor custom and stress the value of honoring women who have encountered particular difficulties and experiences. Many people view the pageant as a timeless institution, thus it is admirable that Miss Italy is committed to maintaining its historical roots.
Even though the world is changing quickly, Miss Italy is still a steadfast champion of femininity who presents women’s beauty in its purest form. As the tournament go forward, it sends a strong message to aspirant women everywhere, encouraging them to embrace their individuality and inherent beauty instead of letting attempts to redefine womanhood get in the way.
In a culture where limits are being pushed, Miss Italy’s choice shows that customs don’t have to be given up in order to welcome change. They continue to provide an enticing platform where women may shine, inspire, and make a lasting impression by being true to their ideals.
The Miss Italy pageant is an institution that celebrates femininity, honors history, and highlights the strength of being a woman, not merely a competition. Miss Italy remains steadfast and unwavering in its dedication to womanhood and encouraging future generations of women as the journey progresses and new tales are recorded.
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