The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
FOUND IN A BEDROOM OF THE 100 YR OLD HOUSE I JUST MOVED INTO, WHAT CAN IT BE FOR?
House built in 1916–on the other side of this wall is what used to be a “sewing room”, according to my landlord. the house has about eight bedrooms and was definitely tricked tf out for it’s time period. i can enter the sewing room on the other side, and i’ve looked all around on the floor, where i believe the door would open up to..
but can’t find the backside of the tiny door! it’s painted over, and feels very secure- almost locked. this house has a complex laundry chute system but this seems way too small to be a part of it.
This room clearly was built as a bedroom, as there is a bathroom and a closet, neither of which are near this bizarre little architectural feature.
Some of the answers:
What do you think it can be for? Leave a comment at our facebook post!
Nestled within the historic Spruce Hill neighborhood of Philadelphia, Pennsylvania, stands a testament to timeless elegance and architectural ingenuity: the Victorian masterpiece crafted by the renowned architect George Hewitt. This majestic residence, steeped in rich history and adorned with intricate details, serves as both a beacon of Victorian charm and a symbol of the neighborhood’s enduring allure.
George Hewitt, a prominent figure in 19th-century American architecture, left an indelible mark on Philadelphia’s landscape with his distinctively designed homes. His keen eye for detail and commitment to craftsmanship are exemplified in this particular gem located in Spruce Hill. Constructed during the height of the Victorian era, this residence stands as a testament to the opulence and sophistication of the time.
From the moment one sets eyes on the exterior façade, it becomes evident that this home is a work of art. Elaborate trimmings, ornate gables, and a meticulously crafted porch invite visitors to step back in time and immerse themselves in the grandeur of the Victorian era. The intricate woodwork, often referred to as “gingerbread,” adorns the exterior, adding a whimsical charm that is quintessentially Victorian.
Upon entering the home, guests are greeted by an interior that seamlessly blends classic elegance with modern comfort. High ceilings, intricate moldings, and stained glass windows evoke a sense of grandeur, while carefully curated furnishings and decor infuse warmth and character into each room. From the ornate parlor to the cozy sitting rooms, every space exudes a unique charm that reflects the owner’s dedication to preserving the home’s historical integrity.
One of the most striking features of this Victorian masterpiece is its attention to detail. From the hand-carved banisters to the intricate tile work, every element has been meticulously crafted to perfection. The spacious rooms are flooded with natural light, creating an inviting atmosphere that is both elegant and welcoming.
Beyond its architectural splendor, this home holds a special place in the heart of the Spruce Hill community. As one of the neighborhood’s most iconic landmarks, it serves as a focal point for residents and visitors alike, inspiring a sense of pride and admiration for the area’s rich heritage.
In addition to its aesthetic appeal, the George Hewitt-designed Victorian in Spruce Hill stands as a testament to the enduring legacy of its creator. George Hewitt’s contributions to Philadelphia’s architectural landscape continue to be celebrated and revered, with many of his designs still standing as cherished landmarks throughout the city.
As the sun sets on another day in Spruce Hill, the glow emanating from this Victorian masterpiece serves as a reminder of a bygone era—one defined by elegance, craftsmanship, and a commitment to beauty that transcends time. In a world where change is constant, this architectural gem stands as a beacon of stability, offering a glimpse into the past while serving as a cornerstone for the future of the neighborhood. George Hewitt’s legacy lives on, embodied in every intricate detail of this timeless treasure.
Nestled in the heart of Lafayette, Tippecanoe County, Indiana, stands a beacon of architectural splendor and historical significance—the Judge Cyrus Ball House. Also affectionately known as the Ball Mansion and Carriage House, this magnificent estate is a testament to the enduring charm and grace of the Second Empire style.
Built in 1868–1869, the Judge Cyrus Ball House is more than just a dwelling; it is a living relic of a bygone era. As one steps through its grand entrance, they are transported back in time to an era of opulence and refinement. The two-story brick façade, adorned with intricate wood and stone detailing, stands as a testament to the craftsmanship and artistry of its creators.
One cannot help but be captivated by the imposing three-story mansard roofed entrance tower, which serves as a majestic focal point of the estate. Rising proudly against the Indiana skyline, it exudes an air of regal sophistication, inviting visitors to explore the wonders that lie within.
The Judge Cyrus Ball House sits atop a sturdy limestone foundation, symbolizing the enduring strength and resilience of its legacy. Its slate roof, weathered by the passage of time, whispers tales of generations past, while standing as a testament to the enduring spirit of the home.
As one wanders through the property, they are greeted by the charming two-story carriage house, a contributing structure that adds to the estate’s allure and character. Standing in quiet reverence beside the main dwelling, it serves as a reminder of the days when horse-drawn carriages graced its halls, transporting guests to and from their destinations in style.
But perhaps the true beauty of the Judge Cyrus Ball House lies not only in its architectural grandeur, but in the stories it holds within its walls. From its days as the residence of Judge Cyrus Ball to its role as a cherished landmark in the Lafayette community, this historic home bears witness to the rich tapestry of history woven into the fabric of Indiana.
In conclusion, the Judge Cyrus Ball House is more than just a house; it is a living testament to the enduring legacy of Tippecanoe County, Indiana. From its majestic architecture to its storied past, this historic estate continues to captivate the imagination and inspire awe in all who have the privilege of experiencing its timeless elegance.
Nestled amidst the serene landscapes the Old Hickory – F. W. Knox Villa stands as a beacon of elegance and historical significance. With its rich heritage, this architectural masterpiece captivates visitors with its timeless charm and refined craftsmanship. Originally conceived as the private residence, the Old Hickory Villa exudes an air of grandeur and sophistication from the moment one sets eyes upon its majestic facade.
Designed with meticulous attention to detail by renowned architects of the era, every aspect of this stately home speaks volumes about the opulent lifestyle of its original inhabitants. As one steps through the ornate entranceway, they are transported back in time to an era of unparalleled luxury and refinement.
From the grand foyer adorned with intricate woodwork to the expansive living spaces adorned with lavish furnishings, each room tells a story of wealth and privilege, offering a glimpse into the lives of those who once called this estate home.
Beyond its architectural splendor, the Old Hickory Villa boasts a rich history that adds to its allure. From hosting lavish social gatherings to serving as a backdrop for significant cultural events, this historic residence has played a central role in shaping the fabric’s community over the years. Today, the Old Hickory Villa stands as a cherished landmark, lovingly preserved for future generations to enjoy. Whether admiring its stunning architecture, exploring its meticulously landscaped grounds, or simply soaking in the tranquil ambiance, visitors are sure to be captivated by the timeless beauty of this extraordinary estate.
As we celebrate the legacy of the Old Hickory – F. W. Knox Villa, let us pause to appreciate the enduring allure of historic preservation. In a world where progress often comes at the expense of our past, places like this serve as reminders of the importance of honoring our heritage and preserving the treasures that make our communities truly special. So, come and experience the magic of Old Hickory – F. W. Knox Villa for yourself. Step back in time and immerse yourself in a world of elegance, sophistication, and timeless beauty. It’s a journey you won’t soon forget.
As we celebrate the legacy of the Old Hickory – F. W. Knox Villa, let us pause to appreciate the enduring allure of historic preservation. In a world where progress often comes at the expense of our past, places like this serve as reminders of the importance of honoring our heritage and preserving the treasures that make our communities truly special. So, come and experience the magic of Old Hickory – F. W. Knox Villa for yourself. Step back in time and immerse yourself in a world of elegance, sophistication, and timeless beauty. It’s a journey you won’t soon forget.
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