Elon Musk is never one to pull punches, even when he’s in a good mood, and now that advertisers are boycotting X, he’s not in a good mood and is certainIy not pulling punches.
Such was obvious when, on Wednesday, Elon appeared at The New York Times’ DealBook/Summit with CNBC’s Andrew Ross Sorkin.
There, Elon directly confronted the group of companies engaging in the ad boycott of X, Go f -k yourself. That came when Elon was discussing the nature of the economic attack on X and argued, quite persuasiveIy, that it is coming to be difficult for them to threaten him, one of the wealthiest men on Earth, with money.
Speaking to Sorkin about the issue, Musk said, “I hope they stop. Don’t advertise. If somebody is going to try to blackmail me with advertising, blackmail me with money, go fuck yourself. Go f -k yourself. Is that clear? I hope it is.”
Elon then went on to single out Disney CEO Bob Iger, who said that he does not want Disney to be affiIiated with Musk and his comments and whose company stopped advertising on X. Directing his comment toward Iger, Musk said, Hey Bob, if you’re in the audience.
Musk also commented, during the event, on a tweet he made that some called anti-Semitic, saying, I shouId in retrospect should not have replied to that one person.
He added, Essentially I handed a loaded gun to those who hate me, and arguably to those are antisemitic, and for that I’m quite sorry. That was not my intention.
Little known mistakes and bloopers in, Leave It to Beaver
*Leave It to Beaver* represents an era when television emphasized family, values, and gentle humor, making it a cultural touchstone that has continued to warm hearts for decades. With its blend of wholesome content and unique quirks, the show set a standard that still appeals to audiences seeking comfort in its simple narratives and lovable characters.
The charm of *Leave It to Beaver* lies not just in its storylines but also in the details. Bloopers like June’s out-of-date calendar or the “Mayfied” misspelling on the baseball tickets add a layer of charm that reflects the production’s imperfections in an endearing way. The “bee on a string” mishap during *The Silent Treatment* is especially memorable, reminding viewers of the era’s limited effects and the innocence of pre-CGI solutions—making the show feel both relatable and nostalgic.
Jerry Mathers’ off-screen stories deepen fans’ connection to the character of Beaver. His Cub Scout uniform audition perfectly captured the innocence producers wanted, turning young Mathers into a pioneer in child stardom and securing his place as a beloved figure. The bond between Mathers and Tony Dow, who played Wally, brought a real-life brotherly affection to the screen that only added to the show’s authenticity. Dow’s passing in 2022 was especially poignant for fans who grew up alongside Wally and Beaver’s antics, and Mathers’ heartfelt tribute underscored the lasting impact of their friendship.
*Leave It to Beaver* was also notable for its production milestones. The producers’ persistent efforts to show the back of a toilet tank may seem small now, but in the 1950s, even this was groundbreaking, subtly pushing the boundaries of what television could depict in a family setting. The production’s resistance to adding a laugh track preserved the show’s gentle humor, allowing audiences to enjoy its stories without the forced laughter typical of other sitcoms.
This timeless sitcom continues to evoke laughter, warmth, and nostalgia. So, whether you’re revisiting the show for a trip down memory lane or discovering it for the first time, enjoy the small mistakes, heartwarming moments, and unforgettable characters that make *Leave It to Beaver* an enduring classic.
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