Barbara Bach, famously known for her role as Bond girl Triple X, wasn’t waiting for James Bond to come to her rescue; instead, she was on a quest for her own prince charming—rock legend Ringo Starr, also known as Sir Richard Starkey.
Now at the age of 77, Bach reached the zenith of her career when she starred in the 1977 film The Spy Who Loved Me, where she portrayed Anya Amasova, a complex character who was both the love interest and a rival to the charming yet womanizing 007, played by Roger Moore.
In a candid 1983 interview with People, Bach didn’t hold back her opinion about her character’s relationship with Bond, referring to him as “a chauvinist pig who uses girls to shield him against bullets”. Moore himself agreed, stating in a 1973 People interview: “Bond, like myself, is a male chauvinist pig. All my life I’ve been trying to get women out of brassieres and pants”.
Before landing her iconic role in the Bond franchise, Bach had appeared in several Italian films, including Black Belly of the Tarantula, where she shared the screen with fellow Bond actresses Claudine Auger and Barbara Bouchet.
Bach’s portrayal of the KGB agent Anya Amasova not only solidified her status as a beloved Bond girl but also opened doors to numerous opportunities in her acting career. Following her Bond debut, she starred in Mad Magazine Presents Up the Academy (1980) and Caveman (1981), where she worked alongside Ringo Starr, who played a Neanderthal vying for her affections. Interestingly, the movie’s script contrasted sharply with their actual relationship, as they only became romantically involved towards the end of filming.
In a revealing Playboy feature from 1981, Bach noted: “A lot of garbage has been written about us, none of it interesting. The truth is, we weren’t together until the very end of Caveman. Working, we got along fine, but we each had other people, our respective friends. Then, all of a sudden, within a week—the last week of shooting—it just happened. We changed from friendly love to being in love”.
In a 2021 interview with the Irish Examiner, Starr reminisced about their first encounter at Los Angeles International Airport in 1980. “I love the woman. I loved her from when I first saw her at LAX”, he shared. “I’m blessed she’s in my life, that’s all I can ever say.”
Starr, renowned as the drummer for the legendary band The Beatles, was once part of a performance at New York’s Shea Stadium in 1965, where Bach was present. However, she revealed that she wasn’t an ardent Beatles fan, attending the concert with her sister Marjorie, a passionate follower of the band. “I liked [Bob] Dylan, Ray Charles, and the Rolling Stones”, Bach remarked in a People interview from 1981.
Bach’s sister eventually married Joe Walsh, the Eagles guitarist, who later performed with Starr in the All-Starr Band. Just months after John Lennon’s tragic death, Bach and Starr tied the knot on April 27, 1981, with notable guests including Paul McCartney and George Harrison.
Their journey together hasn’t been without challenges. Just before their wedding, the couple survived a near-fatal car accident, which prompted them to vow to stay together. Starr remarked: “We decided we wouldn’t spend any time apart. So far the longest break was five days, and that was too long. I want to live every minute with Barbara”.
The couple also took a significant step together in 1988 by entering rehab, emerging sober since then. Celebrating their 40th wedding anniversary in 2021, Starr shared a nostalgic wedding photo with the caption:, “It was 40 years ago today The love of my life said yes yes yes”.
Starr and Bach’s love extends beyond their personal lives; they also have a blended family, with Starr having three children from his late wife Maureen Cox and Bach two from her former marriage to Augusto Gregorini. Together, they run the Lotus Foundation, which supports various causes, including animal welfare, substance abuse, homelessness, and cancer research. Starr donates all proceeds from his art sales to the foundation.
There’s no denying the deep affection shared between Barbara Bach and Ringo Starr, a bond that remains as strong as ever. As Bach expressed: “I love the man, and that’s it”. Starr echoed her sentiments, saying: “There’s no escape… I think I love Barbara as much (today) as I did (when we met), and I’m beyond blessed that she loves me and we’re still together”. Their inspiring love story continues to resonate, and fans eagerly anticipate what they will accomplish together in their charitable endeavors and personal lives.
Is it Modern or Ancient? This Vintage Instrument Has Survived the Years!
Rediscovering the P-38 Can Opener: A Journey into History
Nestled in the palm of a hand, the compact metal gadget hardly betrays its venerable history and the sense of nostalgia it evokes. It’s the P-38 can opener, a simple yet ingenious device issued to military personnel starting in World War II. This tiny tool, with its folding sharp tip, speaks volumes about the era of its inception—a time when practicality and compact design were paramount, especially in the field of combat.
A Link to the Past in a Kitchen Drawer
In an age where the buzz of electric gadgets and the hum of high-tech kitchen appliances dominate, stumbling upon a P-38 can opener in the back of a kitchen drawer is like finding a hidden treasure—a link to a past where resourcefulness was a necessary skill, and devices were built to last. The P-38 is more than just a tool; it’s a testament to the cool ingenuity of old inventions.
The P-38: A Companion in Times of War
Picture the soldier, far from home, field rations his only sustenance, depending on this small piece of folded metal to access his meals. It was designed to be easily carried, not to be a burden, but to be at the ready, a faithful companion during the uncertainties of war. The P-38 didn’t just open cans; it pried open a space for soldiers to share stories, a momentary reprieve as they gathered around to enjoy their rations together.
Stories of Survival and Camaraderie
This small artifact holds stories of camaraderie and survival. Its design is so efficient that it continues to be used and admired by outdoor enthusiasts and survivalists today. The P-38 requires no power source, no instruction manual, and no maintenance, yet it performs its task admirably. It is a marvel of simplicity—just a piece of metal, yet an emblem of a generation that valued utility and simplicity.
Minimalism in the Modern Age
While modern can openers might boast ergonomic handles and electric motors, there is something inherently cool about the P-38’s minimalism and the raw interaction it demands. Using it is a tactile experience; it connects us with the hands-on approach of the past. It reminds us that before the digital age, before the rise of disposable consumerism, there were objects like this, made with the intention of lasting a lifetime.
Appreciating Timeless Design
Rediscovering the P-38 can opener invites us to pause and appreciate the brilliance behind many such old inventions. Their creators didn’t just solve a problem; they crafted a legacy that would endure well beyond their years. They remind us that innovation isn’t just about creating the new, but also about the timeless beauty of design that serves a purpose, endures, and continues to tell a story, even in silence.s
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