Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
Harold lived alone, and one night, he was startled awake by the sound of clanging metal coming from his garage…
The garage lights flickered to life, illuminating the scene before Harold. Dust motes danced in the single beam, revealing three figures scrambling to their feet. They wore identical black hoodies, their faces obscured in the shadows.
“Hey! Get outta here!” Harold shouted, his voice surprisingly steady.
The intruders, startled, reacted like startled cats. Two of them bolted towards the garage door, disappearing into the darkness of the night. But the third, taller than the others, tripped over a discarded tire, tumbling to the concrete floor.
Harold, adrenaline coursing through his veins, moved towards the fallen figure. He grabbed the young man’s arm, intending to pull him to his feet. But as the hood fell back, revealing the intruder’s face, Harold froze.
It was Billy.
Billy, his neighbor’s son. Billy, the boy he’d often seen tinkering with his own beat-up old truck, the boy he’d sometimes offered advice to, a friendly nod and a wave. Billy, whose face was now contorted in a mixture of fear and pain.
Harold quickly released his grip. “Billy?” he stammered, disbelief washing over him.
Billy, still sprawled on the floor, looked up at him, his eyes wide with terror. “Mr. Davis… I… I’m so sorry.”
Harold knelt beside him, his mind reeling. What was Billy doing here? Why was he trying to steal his car?
“What… what are you doing, Billy?” Harold asked, his voice trembling.
Billy hesitated, his eyes darting nervously around the garage. “I… I needed the money,” he mumbled, his voice barely audible. “My mom… she’s sick. The bills are piling up. I… I didn’t know what else to do.”
Harold felt a surge of sympathy, a wave of understanding washing over him. He knew Billy’s family wasn’t well-off. His mother, a single parent, struggled to make ends meet.
“Billy,” Harold said gently, “you shouldn’t have done this. There are other ways to get help.”
Billy looked down at his hands, shamefaced. “I know, Mr. Davis. I’m so sorry. I’ll never do anything like this again.”
Harold sighed. He knew how desperate times could drive people to do desperate things. He remembered a time, long ago, when he had faced his own share of hardships.
“Get up,” Harold said, helping Billy to his feet. “Let’s go inside. We need to talk.”
As they walked towards the house, Harold felt a strange sense of responsibility. He couldn’t simply turn Billy over to the police. He couldn’t let this promising young man throw his life away.
He had to help him.
The next morning, Harold contacted a local social worker. He explained the situation, omitting the attempted theft, focusing instead on Billy’s family’s financial difficulties. The social worker, a kind woman with a gentle demeanor, listened patiently and promised to look into the matter.
Over the next few weeks, Harold kept a close eye on Billy. He offered him odd jobs around the house, helping him earn some extra money. He also spent time talking to him, offering words of encouragement and guidance.
Slowly, things started to improve. Billy found a part-time job at a local mechanic shop, and his mother received assistance from social services. The fear and desperation that had clouded Billy’s eyes began to fade, replaced by a glimmer of hope.
Harold knew he couldn’t erase the past, but he hoped he could help Billy find a better future. He had learned a valuable lesson that night: sometimes, the most unexpected encounters can lead to the most profound connections. And sometimes, the greatest strength lies not in punishment, but in compassion and understanding.
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