See 1970s icon Faye Dunaway now at 83

Among the few living real legends is Faye Dunaway.

The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.

And the eighty-three-year-old continues on…

Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.

The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.

It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.

The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.

Dunaway managed to create a combination of charm and terror.

In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.

Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”

In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.

In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”

Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.

A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.

“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”

The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.

Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.

Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.

She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.

According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.

After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.

Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.

She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.

She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.

Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.

She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.

Regarding her romantic status, she is now single.

She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”

Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.

My husband was determined to poison the raccoons that kept invading our backyard, but what they pulled from our trash left me completely shocked

“I’m telling you, we need better locks for the cans,” I suggested one morning as Kyle angrily watched me scoop up the scattered garbage. “Maybe some chicken wire around the garden too. My sister Jane says that worked for them.”

“I don’t care what your sister says. What we need is to get rid of them. Permanently.”

I remembered when we first met, how his spontaneity had seemed charming. Now, at forty, that impulsiveness had morphed into an iron-fisted need to control everything, including me.

“Kyle, please. Can’t we try the peaceful way first?”

He jabbed a finger at me. “You always do this, Josie. Always trying to make everything complicated when there’s a simple solution right in front of us.”

“Simple doesn’t always mean right.”

He slammed the broom against the side of the house. “What was that?”

I flinched. “Nothing. I’ll look into better trash cans today.”

That weekend, I found Kyle in the garage, assembling something metallic.

“What’s that?” I asked, though I already knew. Animal traps.

He didn’t look up. “Insurance. These smart traps will catch anything that comes near our trash.”

“Kyle, please. They could hurt them.”

He slammed down his screwdriver. “That’s the point! I’m so sick of you defending these disease-carrying vermin. You act like they’re some kind of pets.”

“They’re not pets, but they don’t deserve to suffer. Maybe if we just—”

“Maybe if we just what, Josie? Let them take over? Build them a guest house while we’re at it? I’ve had it with your bleeding heart routine.”

I felt tears welling up but forced them back. “Why does everything have to be solved with violence? They’re just hungry animals, Kyle.”

He stood up, his face red. “You want to know what I think? I think you care more about these pests than our home. Than me.”

“That’s not fair.”

“Isn’t it? Every time I try to solve a problem, you fight me. The raccoons, the neighbor’s dog that keeps barking all night, even that group of teens that hangs out by our fence.”

“Those are all living beings, Kyle. Not problems to be ‘solved.’”

“This is my house!” he yelled, making me jump. “I work every day to pay for it, to keep it nice, and I’m not going to let some animals destroy it while my stupid wife takes their side!”

When the raccoons started showing up again this spring, Kyle completely lost it.

That evening, I was folding laundry when he stormed in, waving a piece of paper and grinning like he’d won the lottery.

“You’ll never guess what I found at the hardware store. Industrial-grade pest control. Guaranteed to solve our little problem.”

I took the paper. It was a receipt for animal traps and some kind of poison. My hands started trembling.

“Kyle, you can’t be serious. That stuff could kill them!”

He snatched the receipt back. “That’s the point, Josie. God, sometimes I think you’re being dense on purpose.”

“But what if neighborhood cats get into it? Or someone’s dog? We could get in trouble.”

Kyle’s face darkened. “I’ve made up my mind. The raccoons are gone by the end of the week, one way or another.”

I spent that night tossing and turning, my mind racing. When did the man I married become someone who could so casually talk about killing innocent creatures?

I thought about calling Jane, but I already knew what she’d say. She’d never liked Kyle and always said there was something off about him. Maybe I should have listened.

The breaking point came on a quiet Tuesday night two days later. I was reading in bed when I heard rustling outside. Peering through the window, I saw one of the trash cans had been knocked over again.

I slipped on my robe and grabbed a flashlight. As I approached the mess, something caught my eye. It was a black garbage bag, partially open, with something moving inside.

My hands trembled as I reached for it. “Oh no. No, no, no…”

Inside were three tiny raccoon babies, barely old enough to open their eyes. They were squirming weakly.

“Kyle!” I screamed, cradling the bag close. “Kyle, get out here right now!”

He appeared on the porch, looking annoyed. “What are you yelling about? It’s the middle of the night, you crazy woman!”

“Did you do this?” I held up the bag. “Did you throw away baby animals like they were garbage?”

He shrugged. “They’re pests. I’m handling it.”

“Handling it? They’ll die!”

“That’s the point, Josie. Jesus, why are you so naive? They’re just raccoons!”

“Just raccoons? They’re babies, Kyle! Living, breathing creatures that feel pain and fear. How would you feel if someone threw you away to die?”

He laughed, a cold sound that made me shiver. “Now you’re comparing me to a raccoon? How dare you, Josie?”

“I’m comparing you to someone with empathy, and you’re coming up short.”

Kyle stepped closer, his voice a chilling growl that made my blood run cold. “You know what your problem is? You’re soft. Always have been. The world isn’t some fairy tale where we all just get along. Sometimes you have to be tough.”

“Tough? There’s nothing tough about hurting something weaker than you. That’s just cruel.”

I looked at him and wondered how I’d never seen the cruelty that had always been there.

The next morning, I called every wildlife rescue in the area until I found one that could help. A kind woman named Marla showed me how to feed the raccoon kits with a tiny bottle.

“You’re doing great,” she assured me, watching as I cradled the smallest one. “They’re lucky you found them when you did.”

As I watched the kit suckle eagerly, tears rolled down my cheeks. “I just don’t understand how someone could be so cruel.”

Marla squeezed my shoulder. “Sometimes the animals we save end up saving us too.”

That evening, I found Kyle’s journal and a detailed plan for dealing with the “raccoon infestation.” It included poison locations, trap placements, and even a schedule. The methodical cruelty of it made me sick.

When Jane arrived, she saw the journal in my hands.

“Still think I’m overreacting?” I asked, showing her the pages.

She shook her head. “Josie, this isn’t about raccoons anymore. Maybe it never was.”

“I know,” I whispered. “I think I’ve always known.”

The divorce papers were served a week later. Kyle didn’t seem surprised, just angry. As always.

“You’re really throwing me out over some pests?” he spat as he packed his things into boxes.

I stood my ground in the doorway of what was now my house alone. “No, Kyle. I’m ending this because of who you’ve become. Who you’ve always been, maybe, and I just didn’t want to see it.”

Days turned into weeks. The raccoon kits grew stronger.

The smallest one was shy and always hid behind his siblings. The middle one was curious about everything. And the biggest was protective, always watching out for the others.

Marla helped me release them back into the wild when they were ready. As we watched them toddle toward the treeline, I saw movement in the bushes. There, watching us, was their mother.

“Look,” Marla whispered. “She came back for them.”

The mother raccoon chittered softly, and her babies ran to her. Before disappearing into the forest, she turned and looked right at me. In that instance, I felt a connection to something larger than myself. Compassion.

“You know,” Marla said, “there’s an opening at the rescue center if you’re interested. We could use someone with your kindness.”

I smiled, feeling lighter than I had in years. “I’d like that.”

“You know, Josie, you can tell a lot about a person by how they treat animals. They’re like a mirror that reflects our true selves.”

Looking back, I realized the raccoons hadn’t just been victims of Kyle’s cruelty. They’d been my wake-up call. Sometimes it takes seeing someone else’s vulnerability to recognize your own.

As the raccoons disappeared into the trees, I took a deep breath and felt ready for a fresh start. I knew I deserved better, and that someday, I’d find the right person who saw the world with the same compassion I did.

Related Posts

Be the first to comment

Leave a Reply

Your email address will not be published.


*