Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
Taylor Swift Apologizes to Fans: ‘I Didn’t Know Endorsing Kamala Would Be Such a Buzzkill’
Pop sensation Taylor Swift publicly apologized to her followers, acknowledging that she had greatly miscalculated the backlash following her recent endorsement of Vice President Kamala Harris. The move has left both Swifties and political junkies stunned. Given her previous vocal political positions, Swift’s statement that surprised many was, “I didn’t know endorsing Kamala would be such a buzzkill.” Swift appears to be discovering the hard way that combining politics and music doesn’t always make for a harmonious blend.
Swift has positioned herself as a supporter of women’s rights, LGBTQ+ equality, and social justice for many years. Some have praised and others have attacked her progressive credentials, but up until now, she has been able to successfully negotiate the turbulent waters of public opinion without alienating her audience. Swift is already rushing to repair significant damage after it seems that a sizable portion of her fan base is offended by her recent support of Kamala Harris for president.
With a well-meaning Instagram post, it all began. In keeping with her trademark approach, which included tasteful wording, subdued lighting, and a picture-perfect cup of coffee in the background, Taylor Swift backed Kamala Harris, hailing the vice president as a “champion for women and justice.”
Swift said, “I believe in Kamala Harris,” pleading with her millions of fans to back the vice presidential candidate in the next election. As predicted, the post received millions of likes in a matter of hours. However, Swift was unprepared for the storm of criticism that followed, which came from her own followers.
Fans who were dissatisfied, incensed, and even heartbroken promptly left comments. One fan wrote, “When I became a Swiftie, I didn’t sign up for politics.” One more person said, “I adore your music, but this? This is excessive.
Some were less forgiving of Swift, even as many applauded her for utilizing her position to push for change. It turns out that some of Taylor’s followers were not happy with her endorsement, and they expressed their disapproval. Swift felt as though her ideal PR opportunity had vanished out of the blue.
Swift, who is normally so poised and collected, seems taken aback by the ferocity of the criticism. Thus, in an attempt to right the wrong, the singer released a self-aware and regretful statement.
“I apologize, everyone, I really had no idea that supporting Kamala would be such a downer,” Swift said in a video that was uploaded to her Instagram story. “I believed that everyone here shared our commitment to justice for everyone, women supporting women, and other positive ideas. However, I suppose that wasn’t what everyone wanted to hear from me.
Despite being playful and informal, the apology was obviously an attempt to win back some of the supporters she had offended with her political post. Although Swift is adamant about her support for Harris, she conceded that not everyone looks to her for political analysis. Swift remarked, seeming bashful, “You come to me for empowerment anthems, breakups, and love songs.” “I understand. I went too far.
Some fans were understanding of Swift’s effort to heal the rift, but others weren’t as kind. One former admirer wrote, “Too little, too late,” and said that Swift’s apology seemed “disingenuous.” Nevertheless, a lot of people applauded the pop singer for admitting her discomfort and trying to make apologies.
The apology itself seems to add further fuel to the flames. Swifties, who have always taken great satisfaction in their steadfast devotion to the singer, discovered that they might be divided into two groups: those who welcomed her apology and others who thought she had betrayed them by entering the political sphere through their beloved music.
One devoted follower said, “I’m glad Taylor’s owning up to her mistake.” She is human, and everybody make mistakes occasionally. She is still one of the greatest artists of all time, regardless of this.
For some, though, Swift’s apology fell short. Another admirer who has since stopped following Swift on social media stated, “She can apologize all she wants, but she’s lost me.” “I just want to listen to her music and not have to hear about politics.”
Swift’s apologies appeared to some to be an attempt to retrace her steps without completely withdrawing her support. Swift has made it apparent that she still supports Kamala Harris, despite the fact that she is now aware of the negative effects of her political stance. Swift declared, “I’m not withdrawing my support for Kamala.” But I apologize if it caused discomfort for a few of you. I never intended to do that.
Swift is hardly new to controversy, but it seems that this most recent incident has caused her to consider the difficult balancing act between her career as a pop singer and her advocacy for political causes. She apologized, acknowledging that she might have miscalculated the desire for political endorsements among her audience.
Swift stated, “Maybe I should keep in mind that not everyone comes to me for that. I’ve always believed in standing up for what I believe in.” It’s acceptable if some of you just want to groove to “Shake It Off.” I swear I’ll resume creating the songs you enjoy.
Swift is obviously attempting to balance upholding her morals with admitting that she might have gone too far in fusing her private life with her public persona. She said, “I’ll definitely think twice before making a political post again.” “I never want to cause alienation among my fans.”
What next steps does Taylor Swift take? Although it’s unlikely that this incident will have a major negative impact on Swift’s career, it’s obvious that she has gained important insight into the dangers of combining politics with entertainment. Swift’s apology may be a step in the right direction toward striking a balance between her private convictions and her public persona as a global pop icon in a world where every action made by celebrities is closely watched and analyzed by the public and the media.
Swift is getting back to what she does best for the time being: music. She hinted that the universal themes of love, heartbreak, and self-discovery would take center stage on her upcoming album instead of the challenges facing the entire world. She chuckled, “I think we all need a break from the heavy stuff.” “I swear, my next album will not feature any political content at all.”
It remains to be seen whether Taylor Swift’s apology can heal the split with her fan base, but one thing is certain: she is back in damage control mode and eager to put the politics behind her and focus on her music, which is what initially made her a success.
Ultimately, Swift may have needed to tell her most devoted Swifties that her endorsement of Kamala Harris was a “buzzkill” for them. After all, even famous pop stars occasionally misjudge the situation.
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