Maybe Steve Martin is all set to put his banjo away. In a recent interview, the musician who has won Grammy and Emmy awards said that after “Only Murders in the Building,” the Hulu real-crime parody he co-created, he would “work a bit less. Once this television show is over, I won’t look for anyone else. I won’t look for any additional films. I won’t play cameo roles. Strangely, this is it,” Martin told The Hollywood Reporter.
I don’t want to retire, he told the publication. “I’m not. But I’d do a little less work. Maybe. “.
In order to spend more time with his wife, author Anne Stringfield, and their 9-year-old daughter, Martin asserted that he needed to cut back on his professional commitments. I have a great family life, he said. I won’t be moving to a new area to live or make a movie anymore. I am not permitted to vanish for three months
My Stepmom Told Me to Wash Dishes After Her Birthday Party Because I Didn’t Gift Her a Dishwasher – Karma Hit back for Her Audacity
The story you’ve shared is filled with relatable family drama, with Mia finding herself caught between her overbearing stepmother, Trudy, and her more lenient father. It perfectly captures that “wicked stepmother” vibe, but with a modern twist—entitled requests and over-the-top parties that anyone could see happening in real life. The cosmic smackdown Trudy receives when her own actions (dumping oils in the sink) backfire seems like the perfect moment of karmic justice, and Mia’s reaction adds a humorous tone to the narrative.
The father stepping in to ensure Mia gets her prom dress money is a touching moment, balancing out Trudy’s unreasonable expectations. It’s also refreshing to see that Trudy, despite her flaws, tries to patch things up at the end, even if we’re left wondering how long that change of heart will last.
Mia’s inner monologue is super relatable, especially for teens dealing with over-the-top parental expectations and difficult family dynamics. The contrast between her and Trudy’s worlds—the prom vs. the dishwasher—feels like the classic struggle of teenager vs. adult priorities, heightened by Trudy’s self-centeredness.
As for the second story teaser, it looks like Emily’s prom day is headed for more drama, with a scheming stepmother, Carla, trying to ruin her moment. Both stories seem to revolve around stepmoms with boundary issues, but the empowerment that comes from overcoming these challenges gives them a satisfying and almost cathartic feel.
What part of the story resonated most with you?
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