Some of the display’s visuals are too sensitive to be left up all the time.
With great pleasure, Buckingham Palace announces the release of an astounding array of never-before-seen images from the royal archives.
The unique exhibition “Royal Portraits: A Century of Photography” at The King’s Gallery inside Buckingham Palace is scheduled to debut on May 17 and will highlight the development of royal portrait photography from the 1920s to the present. More than 150 one-of-a-kind pieces from the Royal Collection and Royal Archives will be on show, with many of these old prints appearing for the first time. A unique look into the creative processes behind these historical photos is provided by the show, which also features unseen proofs and archival correspondence.
A poignant 1964 portrait of Queen Elizabeth, Princess Margaret, Princess Alexandra, and the then-Duchess of Kent holding their babies is one of the most notable items. This heartwarming photo was taken by Princess Margaret’s husband, Antony Armstrong-Jones, as a special thank-you to royal obstetrician Sir John Peel, who assisted in the delivery of all four babies in less than two months. Princess Margaret is holding her daughter Lady Sarah tenderly while Queen Elizabeth is grinning at the camera and holding Prince Edward, the youngest of her four children.
Snowdon, the Royal Collection Trust, and Camera Press
Images of Queen Elizabeth’s parents, King George VI and the Queen Mother, taken during World War II make up another moving section of the display. Cecil Beaton captured these pictures with the intention of bringing stability and hope during tumultuous times. Notable images of the royal couple taken in 1940 at Buckingham Palace include a dramatic view of them assessing bomb damage and a sweet family photo taken in 1943 at Royal Lodge in Windsor, which shows Princess Elizabeth and Princess Margaret as little children gathered around their father’s desk.
Snowdon, the Royal Collection Trust, and Camera Press
The thrill and exclusivity of this event is further enhanced by the fact that the Royal Collection Trust emphasizes that these vintage photos cannot be permanently shown due to conservation needs. The display covers an amazing range of historical periods, including the first color image of a member of the royal family, Queen Elizabeth’s 1953 coronation portrait, the Queen’s sparkling painting by Andy Warhol from 1985, and even Kate Middleton’s arresting 40th birthday shot.
It’s interesting to note that Kate’s milestone birthday portrait will be on display next to a portrait of Princess Alexandra from 1864, which it looks a lot like.
Charles III, His Majesty, Royal Collection Trust, 2024
The audio guide for this fascinating exhibit, which is narrated by the adored Dame Joanna Lumley, includes commentary from well-known photographers Rankin and John Swannell. Hugo Burnand has also contributed to the guide; he has a long-standing professional relationship with King Charles and Queen Camilla, having taken their formal coronation photographs in May 2023.
Paolo Reversi/Royal Collection Trust Photographer
Exhibiting photographs by renowned photographers including David Bailey, Annie Leibovitz, Polly Borland, and Dorothy Wilding, this show is sure to thrill royal photography enthusiasts.
Remember to put dates in your calendars! The King’s Gallery at Buckingham Palace will unveil “Royal Portraits: A Century of Photography” on May 17. This is a unique chance to experience history unfold before your eyes as a unique collection of royal moments are captured via the skill of photography.
Charles III, His Majesty, Royal Collection Trust, 2024
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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