A premiere that left everyone talking.
The press tour for Dune: Part Two has turned into a showcase of high-fashion ensembles, particularly from Zendaya, whose bold fashion choices consistently astonish onlookers.
During the movie’s premiere in London, Zendaya, at 27, surpassed expectations yet again. Dressed by her trusted stylist, Law Roach, Zendaya made a striking appearance in a vintage Mugler robot suit.
The vintage couture outfit, first seen at the Paris Fashion Week in 1995, is crafted from silver fabric designed to mimic robotic armor, featuring PVC-covered cutouts, including those on the breasts and the back.
Zendaya offered a bold glimpse of the design’s revealing back as she struck poses on the carpet. Her rendition of the outfit was styled remarkably close to the original, complete with metallic pumps. Yet, she opted out of wearing the headpiece, choosing instead a sleek bun with side bangs and enhancing the look with a statement jewel necklace.
Her outfit choice gained mixed reactions online.
Despite the outfit’s glam, Zendaya’s look received mixed reactions online with some people calling it ’ridiculous’.
- «I love her and all, but no, this is ridiculous,» one user wrote.
- «Celebrities can wear trash bags these days and get praised for it,» another added.
- «Dressing up like this, showing the body, and then asking for privacy and respect? How?» asked one person.
However, some fans praised the actress for her fashion choices: - «This is a 1995 Robot suit by Mugler, it’s a piece of art and fashion history, I think Zendaya did amazing wearing this,» one said.
- «I do not get why everyone is hating. Not all famous women have to wear those Cinderella dresses. This is awesome!» another wrote, and we couldn’t agree more!
Zendaya’s behind-the-scenes decision.
Zendaya recently shared that her famous red carpet moment nearly didn’t happen. In a recent video for Vogue’s Life in Looks series, the 26-year-old star shared the behind-the-scenes story of her daring fashion choice.
Despite her enthusiasm for the idea, Zendaya’s stylist, Law Roach, initially had reservations. Concerned that Zendaya might back out at the last minute, Roach questioned whether she was serious about wearing such a bold ensemble. Zendaya remained committed to the vision.
Securing the archival design was just the beginning of the journey. One of the original creators of the suit from the ’90s even attended the fitting, and Zendaya described the experience as unexpected —the armor fit her like a glove, solidifying her belief that this fashion moment was meant to be.
She recently revealed she regretted her outfit choice.
However, as the premiere approached, doubts crept in. Zendaya admitted to second-guessing her decision, fearing that the outfit might be a «bad idea.» These doubts intensified when she faced physical discomfort when wearing the metal armor.
Zendaya revealed that within minutes of putting on the bodysuit, she began to feel lightheaded. The metal material quickly absorbed and trapped heat, causing discomfort exacerbated by the complete bodysuit and barrier between her skin and the metal.
Yet, the metal bodysuit proved to be too uncomfortable to endure for an extended period. Zendaya later changed into a more conventional yet equally stunning black cowl neck Mugler gown, adorned with vintage Bulgari earrings and an emerald ring.
Actually, in 2019 Zendaya tried a Cinderella dress too. Check out this article to decide which style suits her more.
ABANDONED STRAWBERRY HOUSE
The house was built in the late twenties of the twentieth century for banker Dimitar Ivanov and his wife Nadezhda Stankovic. Inside, the accent falls on the red marble fireplace located in the reception hall. There is a podium for musicians as well as crystal glasses on the interior doors. Several bedrooms, beautiful terraces, a large study room and service rooms. Nothing of the furniture is preserved, but it is known that high-class Sofia citizens at that time preferred furniture from Central and Western Europe.
The exterior is a large front yard facing the street, separated from the sidewalk by a beautiful wrought iron fence. Triple staircase to the entrance of the house, but it is always very impressive that the special portals for carriages and carriages on both sides of the yard. Even today I imagine a cabin with the members of the invited family entering the yard of the house through one portal, the horseshoes and the carriage staying in the space behind the house, specially tailored for that while waiting for the reception to end and go out again from the yard, but through the other portal.
Banker Ivanov’s family lived happily in the house, at least until 1944. After the war the property was nationalized and originally housed the Romanian embassy. Later in the year, the house was a commercial representation of the USSR in Bulgaria, as well as the headquarters of the administration of various communist structures of unclear purpose.
In the 90’s the house was restituted and returned to the heir of the first owner-banker Dimitar Ivanov. Since 2004 the property is the property of the director of Lukoil-Valentin Zlatev, who has not yet shown any relation to this monument of culture. The beautiful house once ruined for decades and is now sadly sad.
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